C. E. Emmer

Assistant Professor of Philosophy
Emporia State University (KS)



PhD in Philosophy
Stony Brook University
Collegium Philosophiae Transatlanticum

Final dissertation research carried out at the 
Philipps-Universität Marburg in Germany (1999-2001) 
through the Collegium Philosophiae Transatlanticum.


Resumé

AOS   AWARDS   DISSERTATION   PUBLICATIONS   PAPERS   TEACHING   CONTACT

EDUCATION
2002 Stony Brook University
       (concentration in the history of philosophy)
       PhD awarded May (dissertation defended Dec. 13, 2001)

AREA of SPECIALIZATION
       Kant and 18th-Century German philosophy
       Aesthetics and philosophy of art

AREAS of COMPETENCE
       History of philosophy (ancient and modern)
       Ethics and moral theory
       Social and political philosophy
 


SCHOLARSHIPS and GRANTS
2007        Emporia State University (Emporia, KS)
               summer OOE Research and Creativity Grant
               grant for research in Germany on 18th-century German aesthetics

2000-01    Philipps-Universität Marburg, Marburg Germany
               grant for one-year research (exchange) program in philosophy
               Collegium Philosophiae Transatlanticum

1999-00    Philipps-Universität Marburg, Marburg Germany
               grant for one-year research (exchange) program in philosophy
               Max Kade Fellow through the Max Kade Foundation

1996-97   Eberhard-Karls-Universität Tübingen, Tübingen Germany,
               grant for one-year research (exchange) program in philosophy

1995-99   Stony Brook University
               full tuition scholarship
 

DOCTORAL DISSERTATION

Abstract
Possibilities for a Non-Ocular Aesthetics in Kant's Critique of Judgment
This thesis focuses on the role of the senses in Kant's mature theory of the beautiful and the sublime. My claim is that, though Kant's exposition privileges sight and rules out touch as avenues for encountering the beautiful (and to a lesser degree, the sublime), the principles which ground his theory do not allow him favor and proscribe particular senses to the degree that he does — in particular, he cannot exclude touch. The thesis uses Diderot's figure of the blind subject (from his "Letter on the Blind for the Use of Those Who Can See") as a heuristic device, recuperating the blind subject's ability to share in the beautiful and the sublime of Kant's theory. The thesis does not however proceed by means of blurring Kantian distinctions, but rather aims at making Kant's theory more consistent with itself. This re-reading of Kant opens up a new way of understanding Kant's aesthetic theory, revealing previously unconsidered possibilities for encountering the beautiful and the sublime in a Kantian vein. My thesis then fleshes out new instances of the Kantian beautiful and sublime, closing on a use of Kant's theory of artistic production to make a final argument for the possibility of a beauty apprehended through touch.
Committee
Edward S. Casey, philosophy (director); David Allison, philosophy; Jeffrey Edwards, philosophy; Reinhard Brandt, philosophy (German advisor); Daniel Monk, art history (outside reader)


PUBLICATIONS

ARTICLES and BOOK CHAPTERS
2009 "Coda" (afterword, provisional title)
         in Monica Kjellman-Chapin, ed., Kitsch: History, Theory, Practice (under contract)

2008 "Crowther and the Kantian Sublime in Art"
         in Recht und Frieden in der Philosophie Kants: Akten des X. Internationalen Kant-Kongresses
         [Right and Peace in Kant's Philosophy: Proceedings of the 10th International Kant Congress]
         5 vols., ed. Valerio Rohden, Ricardo R. Terra, and Guido A. de Almeida
         (Berlin / New York: Walter de Gruyter), Vol. 3, pp. 565-576

2007 "The Flower and the Breaking Wheel: Burkean Beauty and Political Kitsch"
         in The International Journal of the Arts in Society Vol. 2, No. 1, pp. 153-164

2001 "The Senses of the Sublime: Possibilities for a Non-Ocular Sublime in Kant's Critique of Judgment"
         in Kant und die Berliner Aufklärung: Akten des IX. Internationalen Kant-Kongresses
         [Kant and the Berlin Enlightenment: Proceedings of the 9th International Kant Congress]
         5 vols., ed. Volker Gerhardt, Rolf Horstmann, and Ralph Schumacher
         (Berlin / New York: Walter de Gruyter), Vol. 3, pp. 512-519

1998 "Kitsch Against Modernity" Art Criticism Vol. 13, No. 1, pp. 53-80

1994 "Austria" (literary essay on Ludwig Wittgenstein and artist Rudolf Schwarzkogler)
        Exquisite Corpse (ed. Andrei Codrescu) No. 45, pp. 20-21
 

REVIEWS and BOOK NOTICES
2009
Gail M. Presbey, ed. Philosophical Perspectives on the 'War on Terrorism'.
         Value Inquiry Book Series, Volume 188 (Amsterdam/New York: Rodopi, 2007)
         online review (with Prof. Charles Brown) for H-Peace (forthcoming)

2004 Edward S. Casey,
Representing Place: Landscape Painting and Maps
         (Minneapolis / London: University of Minnesota Press, 2002)
         book notice in The Review of Metaphysics Vol. LVII, No. 3, issue 227 (March), pp. 610-612

2003 Julian Stallabrass, High Art Lite: British Art in the 1990s
         (London / New York: Verso, 1999)
         book review in the Metapsychology on-line review, Vol. 7, No. 20 (May 14)
 

TRANSLATIONS
2009 Ottfried Höffe, ed., [anthology of Kant essays for Cambridge University Press, in preparation]
         translation from the German, co-translated with Michael McGettigan

2003 Bernhard Waldenfels, "From Intentionality to Responsivity" [link provides 1st page only] 
        Revue Roumaine de Philosophie Vol. 47, No. 1: 15-27 
        co-translator from German with Robb E. Eason and Evan M. Selinger (final version Waldenfels). 

1999 Manfred Riedel "Scientific Theory or Practical Doctrine?"
         in Nietzsche and the Sciences, Vol. I, ed. Babette Babich
         (Dordrecht: Kluwer [now under Springer Verlag]), pp.187-197 
         translation from the German
 

LECTURES and PAPERS
2008 "
Kunst, Kant, and Kitsch" invited lecture
         "Art Forum" lecture series, ESU Art Department
         Emporia, KS (Jan 16, 3pm)

2007 "Traditional Kitsch: The Danger of Burkean Beauty" paper (stream: "Art in Communities")
         International Symposium on the Arts in Society
         Tisch School of the Arts (NYU), NYC (New York) (Feb 23-25)

2005 "Crowther and the Kantian Sublime in Art" paper
         Right and Peace in Kant’s Philosophy: the 10th International Kant Congress
         São Paulo, Brazil (Sept 4-9)

2004 "Kantian Varieties of the Artistic Sublime" paper
         (Re)Discovering Aesthetics, University College Cork, Ireland (July 9-11)

2004 "The Problem of Beauty and Poetry in Kant" paper
         1st Annual Meeting of the Eastern Study Group of the North American Kant Society
         Lincoln Center, NYC (April 16-17)

2003 "The Problem of Poetic Beauty in Kant" paper for the panel, "Aesthetic Pleasures" (Oct. 9)
         Stony Brook Alumni Conference, Stony Brook University (Oct. 9-11)

2002 "Herder and Kant's Aesthetics on the Sense of Touch" 
         paper for joint session with the North American Kant Society
         International Herder Society Conference, Rice University
         Houston, Texas (September 26)

2001 "Kant's Aesthetics and Fractal Art" 
         paper for SPSCVA panel: "Philosophy and the Visual Arts" at Eastern Division APA
         Atlanta, Georgia (December 28) 

2001 "Systematic Clarification: Sensibility and the Senses in Kant’s Critique of Judgment
         paper at the Doctoral Colloquium of the Collegium Philosophiae Transatlanticum
         Philipps-Universität Marburg
         Marburg, Germany (June 15) 

2001 "Kants Exposition des Erhabenen in der Kritik der Urteilskraft," guest lecture (Sommersemester) 
         for Prof. Reinhard Brandt, "Kants Kritik der Urteilskraft"
         Philosophische Fakultät, Philipps-Universität Marburg
         Marburg, Germany (May 8) 

2000 "Non-Ocular Avenues for Experiencing the Beautiful in Kant's Critique of Judgment"
         paper at the First German Workshop of the Collegium Philosophiae Transatlanticum
         Marburg, Germany (May 27)

2000 "The Senses of the Sublime: Possibilities for a Non-Ocular Sublime in Kant's Critique of Judgment"
         paper at the Ninth International Kant Congress, Humboldt-Universität zu Berlin
         Berlin, Germany (March 26-31)

1999 "Space, Sight, and Aesthetics" paper
         Inaugural Conference of the Collegium Philosophiae Transatlanticum
         Stony Brook University (September. 2-7) 

1995 "Kitsch against Modernity" lecture
         Philosophy Department Graduate Colloquium panel: "Kitsch and Collecting"
         with Kevin Melchionne
         Stony Brook University (September 28)
 

COMMENTS on PAPERS
2004  Comment on Sonia Sikka, "The Virtues of Relativism: Some Lessons from Herder"
         Central Division APA, Palmer House, Chicago (April 25)
 

SERVICE
2003
  Organized panel, "Aesthetic Pleasures" (Oct. 9)
         C. E. Emmer / Karmen MacKendrick / David Johnston / James DiGiovanna 
         Stony Brook Alumni Conference, Stony Brook University (Oct. 9-11)
 

TEACHING EXPERIENCE (sole instructor for all courses unless otherwise noted; evaluations available)
PHL 506
Art and Its Problems: Art and the Senses in Kant’s Aesthetics
              Stony Brook Manhattan (Spring 2005)
              graduate seminar on Kant's aesthetics (Critique of Judgment), framed by Lessing and Herder
              focus: the contested role of the senses and its effect on the division of arts, contextualized by
              'Molyneux's question' and Diderot's discussion of blindness, metaphysics, and taste
              texts: Lessing Laocoön / Kant Critique of Judgment / Herder Sculpture

PHL 530 Aristotle's Metaphysics
              Miami University of Ohio (Spring 2003) 
              graduate seminar on Aristotle's "first philosophy" in the Metaphysics, supplemented by
              the Categories and De Anima 

PI 500    Philosophy of Art and Beauty
              Emporia State University (Spring 2008)
              figures: Plato / Aristotle / Longinus / Plotinus / Burke / Kant / Freeland / Danto / Stallabrass

PI 500 C 19th-Century Philosophy
              Emporia State University (Spring 2007)
              focus: freedom and religion, slavery and philosophy, and the challenge of Darwin
              figures: Fichte / Hegel / Susan Buck-Morss / Feuerbach / Marx / Peirce / Nietzsche / Darwin

PHI 309  20th-Century Analytic Philosophy 
              Stony Brook University (Fall 2003)
              focus: concentrates on the classic texts of analytic philosophy
              figures: McTaggart / Russell / Ayer / Wittgenstein / Austin / Heidegger / Ryle / Nagel / Dennett / Searle

PHI 300  Ancient Greek Philosophy: Thales to Aristotle
              Stony Brook University (Spring 2002)
              focus: course culminates in Aristotle's hylomorphic theory of substance
              figures: Pre-Socratics / Socrates / Plato / Aristotle

PHI 108  Critical & Logical Thinking
              Stony Brook University (Spring 2002)
              focus: informal logic (argument & fallacy), elementary logic, with special
                        attention to pseudo-science and political persuasion

PHI 105  Social and Political Philosophy
              Stony Brook University (Spring 1998 / Summ II 2002)
              figures (2nd version): Rousseau / Kant / Marx / Omi & Winant / Audre Lorde 
              figures (1st version): Nagel / Aristotle / Rousseau / Mill / Marx

PHI 104  Introduction to Ethics
              Hofstra University (Spring 04 / Fall 04 / Spring 05) [PHI 014]
              Stony Brook University (Fall 1997) [Moral Reasoning]
              figures (3rd version): Plato / Aristotle / Kant / Mill / Benedict / Pojman / Rachels
 
                        basic approaches: relativism / objectivism / utilitarianism / deontological ethics
                         topics (by in-class survey): homosexuality / abortion / war (just war + torture)
              focus (2nd version): basic approaches (relativism, objectivism, utilitarianism, deontology, virtue ethics)
              figures (1st version): Nagel / Bible / Aristotle / Kant / Gilligan / Nietzsche 

PHI 100  Introduction to Philosophy: Freedom and Self-Control
              Hofstra University, Hempstead NY (Fall 2003) [PHI 010]
              Miami University, Oxford OH (Spring 2003) [PHL 105 Theories of Human Nature]
              Stony Brook University (Fall 98 / Spring 99 / Summ II 02 / Fall 02 / Fall 04) [Concepts of the Person]
              focus: freedom, self-control, and the division of the soul
              figures: Plato / Aristotle / Bible / Marcus Aurelius / Pagels / Kant

EGC 101 Basic Writing
              Stony Brook University (Fall 1995 / Spring 1996)
              English composition (narrative, descriptive, and persuasive)

 

CONTACT: c...@emporia.edu [click on embedded link to access]